Wednesday, May 30, 2012

(This was written about two years ago for a creative writing class. This piece of work went through about twelve drafts. Reading over it was a strange experience for me. I see bits of imperfections and rough spots in the writing and plot. I don't know. I used to want to write but when I got down to it, I worried too much about actually expressing what I was thinking. Onto the story.)




The Man Who Was There

            I once read a theory that exists somewhere in the vast internet, a theory that somebody formed during their childhood. The theory stated that when a person dies, they don’t actually go on to an afterlife; let it be heaven, reincarnation, nothingness, or wherever. Their soul, spirit, mind, or whatever the hell you want to call it, merely leaves this universe and moves on to another, where their death didn’t come to pass. This occurs seamlessly so the deceased isn’t aware that Grim Reaper paid them a visit. The dearly departed might notice a close call, but it is just that. Close calls, nothing more. This happens again, again, and again, a never-ending Dance of Death, Danse Macabre.  “So far,” said the theorist, “I haven’t been proven wrong.”
            ‘Where are we gonna run to, eh?’
            There was me, that is Jack, and my three (or two?) mates, that is Wilson, Allen, and Stewart, Stewart being really queer (or was he?), and we ran on Banta Street making up our mind where to run to this afternoon, a fine day in spring with birds flying and going “tweet, tweet” in hopes of getting some good old in-out-in-out, and soon the trees and flowers will be doing the same with ruinous results to my sinuses. Soon, soon, the mucus that results from the trees and flowers’ jizz will flow into my throat and lungs, giving each of my breaths a lovely rasp to it. My teammates find this to be the most unsettling and make it apparent by nicknaming it “Death Rattle.” Anyhow, a beautiful day calls for a scenic route, wouldn’t you agree? And so. We decided to take our usual haunting path: some real nice rail tracks heading south through many buildings and trees with plenty of things to gasp and gawk at.
            Earlier, we were getting dressed in our beautiful short shorts and flimsy tee shirts for the weather wasn’t quite warm enough for bare skin; nipples with glass cutting capacity were not a fun thing to have. We then went and did our usual routine. Six laps around the track for warm-up (two thousand and four hundred meters). Stretch in circle (fifteen different stretches with three sets of ten seconds each). Do drill (nine different drills done over seventy meters each). Then Coach Steven gathered us in a circle and told us what was in store for us on this glorious day (three sets of four two hundred meters at thirty-five seconds each). ‘Twas fun stuff, much better than doing sets of four hundred meters which is hell on the track.
            During the workout itself, Stewart may or may not have been burning our group[1] of three (four?) on each two hundreds. He would remain within this questionable state ‘til something may or may not have happened to him later in the season but for now, he may or may not have been the top dog. After the excellent workout left us with an enjoyable burning sensation within our legs (lactic acid build up), we went on a recovery run (thirty minutes). Usually, Coach Steven would have us run around, around, and around the campus itself every single day. But not today. Today, my friends, we run off-campus. We shall taste the sweet, sweet taste of freedom on the roads. And thus starts our harrowing adventure.
            Starting at Banta and Shelby, the cornerstone of all of our routes that were and will be created, the three (four?) of us ran eastbound on the sidewalk within shadows of trees and a lady that lined up to watch us run past, ‘til we came upon a busy intersection. At that point, the plan of crossing depended on how merciful the stoplight was feeling on that day. Sometimes, we’d dance across the street in glee when the light allowed us to do so and take a right at the next sidewalk, but on most days, the light decides to spite us and force us to take a right turn on the sidewalk and run for a bit ‘til a lull in the traffic allowed us to take a risky dash across the street. Dance or dash, it was a zesty enterprise either way. From there, it was only a short run through rows of houses and a yard to the ditch where the rails lay and led to our source of lore.
            The previous winter, those very rails were our quick track to amusement and enjoyment. Since there weren’t any in-season running sports that we could partake in, most of us opted for winter conditioning. The winter conditioning itself was unofficial, meaning that we were free of Steven’s reign. With that freedom, the whole world within running distance became The Land of Do-As-You-Please. And so, with that, I introduce you to a succinct and exciting list of our stops, starting from the moment we jump onto the rail-road and run through the wondrous land.
  1.       Bridge (1 mile): A bridge. Take care to not step into the space between the rails or you’ll get a nasty scare and scar. There, Stewart may or may not have stood on the very edge of the bridge and looked down to the shallow rocky creek sixteen feet under.
  2.       Playground (1.2 miles): Frequent and popular stop. Much fun was had swinging on the swings, spinning on the roundabout, sliding down the slides, and climbing the monkey bars. There is also a nearby creek where one could relieve themself if they desire to do so.
  3.       Stink (2 miles): At this point, the ditch outside the rails starts to look funky. There is a scent of raw sewage in the air. Running quickly through this part is advised.
  4.      Field (3 miles): A vast and open grassy field. One could have an excellent game of ultimate frisbee here. Being that there was only three (four?) of us, we settled for passing the disc around. There, Stewart may or may not have looked into a seemingly abandoned tent (it wasn’t). Also, he may or may not have picked up a dumped dildo that lay on the rails and after briefly attempting to stab us with it, threw it into the swamp.

            ‘Twas a truly wonderful time of the season, doing as we please as it snows. Many years later, I would still recall those days where I ran on the railroads as white flakes floated down. Then it’d become a storm and we’d have to run five fucking miles back to our school. Sure was a cold day.
            But for now, back to the story that we’re focusing on at this time. The ditch with the rails itself is located behind some sucker’s house. In order to get into there, we have to sneak across the backyard. This is a perilous act. Go too fast and you‘ll look like you’re trying to get away from an angry shotgun wielding homeowner and only attract more attention. Go too slow and somebody is sure to call the cop on you for “trespassing.” So, the best way to cross the yard safely is this: Run up to the property line. Take a look around. Casually yet quickly run across the yard. Simple enough. However this time, it was bit different. As we ran across the yard, Stewart may or may not have taken off.
            Now, when you’ve been running competitively for a while, you learn to chase and catch somebody when they try to quickly get away. Eventually, when enough people try get away from you in races, it becomes an instinct. Much like how dogs chase after cars. They do it, yet they wouldn’t know the first thing to do with a car if they caught it. A reflex.
            This was the same with me.
            I ran. Caught up with Stewart. Overtook him. Jumped into the ditch. Stood on rails. Took a couple second to bask in triumph. Deep breath. Yes. Another victory. Pause. “Wow, it’s sure taking them a while to catch up,” I thought. Turning around to tell those slowpokes to hurry the fuck up, I saw that they were standing at the top of the ditch’s slope looking at me like I was one crazy motherfucker. It was a rumbling moment where we could’ve stared at each other for an eternity, me looking up at them with a puzzled expression and them looking down to me as if I’ve finally cracked like a nut in a nutcracker.
            Allen broke the moment by waving and yelling at me.
            Wilson joined in.
            Stewart may or may not have joined in.
            WAVE WAVE MOUTH MOUTH.
            “Just what the fuck are they doing,” I thought to myself, becoming even more befuddled. Allen, being on the frontlines of brilliant ideas, started pointing. He pointed to my right, to the northern direction of where the railroads came from. I, being accustomed to shenanigans from them, saw right through their ruse. “Aha! The old ‘Holy shit, look at that… Psych!’ trick. I won’t fall for it again.” I looked at them, nodding my head. Yeah. Sure. Ok.
            Stewart then may or may not have jumped into the ditch, onto the railroads.
            Now to get a bit ahead of ourselves. When all was done, at the end of school year, Stewart may or may not have quit running. At the time, I assumed that he did so because he couldn’t recover fully from the pulled hamstring that he may or may not have gotten earlier in the season. Later, when we were eating at Mancino's Pizza during cross country’s summer camp, Wilson complained about how Stewart may or may not have asked him out. It was at that moment I would discover that Stewart may or may not have come out of the closet shortly after he quit the team. At the same location, Coach Steven, who was a hardcore Catholic, found out. He hung his head, shocked and speechless. Did Stewart quit, fearing that he would lose favor with Steven? After all, Steven had proven that he could be a man of subtle cruelty the year previous when he had Wilson and I run ten miles with a whopping total of five pounds worth of dumbbells for failing him in a meet. “Works out your upperbody!”  he said. Sounds like nothing considering the light weight, but damn. That shit wasn’t easy or fun and to this day, still remains one of the hardest runs I’ve suffered through. Fucking hell.
            Now that I think back to this day… Stewart could have done a different sport. Stewart could have been in a different group. Stewart could have fallen off the edge of the bridge. Stewart could have gotten killed by the roundabout as he tripped. Stewart could have gotten stabbed by the tent’s inhabitants. Stewart could have pulled his hamstring earlier. Stewart could have come out of the closet earlier. Stewart could have quit earlier. Stewart could have skipped the practice that day. Stewart could have been getting treated for herpes on his hands from touching that dildo. Stewart could have not jumped into the ditch.
            But I’m still here.
            Stewart then jumped into the ditch, onto the railroads.
            Stewart grabbed me. “What the fuck are you doing? You can’t touch me, bitch!” I yelled at him. He then forced me to look northern bound and by god, there was a massive twelve ton steel beast of a train making its way over to my puny mortal body. It was only two hundred meters away (much less than thirty-five seconds). THE FUCKING TRAIN, Stewart seemed to be telling me, GODDAMNIT, THE TRAIN. But alas. He knew shit of getting his point across visually. Instead, he settled for pointing and attempting to drag me away.
            Well. Who would I be to argue with him?
            Out of the ditch we jumped. We stood and watched the steel beast roar by. Laughter all around. “Boy, that was a close one!” Finished the run and went back to the track. Armed with a new lore. Stewart then pulled his hamstring, came out of the closet, and was gone. He wasn’t mentioned of again, memories of him started fading away, and finally disappeared for years. Until now, when I remembered. Now, he might have been forgotten by all but yours truly, but I remained within that universe for a bit longer because of him. For that, I shan't forget him. Again.
            As for I, that is Jack, I might have dodged a massive steel beast, but it certainly wasn’t the last thing that I would dodge. I would have to deal with more shit from cars -both moving and parked- dogs, bikers, poles, trees, tennis balls, and a runner or two (but thankfully, no trains). Each time, it seems that I miraculously stepped out of its pathway while being oblivious only to have somebody run up to me and go HOLY SHIT, ARE YOU OK OHMYGOD DID YOU SEE THAT CAR, FUCK! Over time, it became a recurring event to the point where it was no big deal and I would only find out about my near-death when my group nonchalantly brought it up in the stretching circle at the end of practice.
            “Well,” said Wilson one day after yet other close call, “you still haven’t been hit by an airplane yet. So, you still have that going for you, I suppose.” Yeah. We were sitting in a wheel with the freshmen forming the hub as a part of our hazing/getting-to-know process. All was quiet. Suddenly, everybody looked up into the sky, where the sun was shining. Normally, I would have looked up with them (albeit a millisecond late) but right in front of me out in the distance, in front of the haze of the scorching rays on the road, there was a lady. She seemed familiar as if I have seen her before and then again, again, and again. Then at once, I knew. I stood up and walked to her as the team took off running. Oh, you. You’re a capricious thing, aren’t you? Offering me her pale hand, which I took, she said Yes. Yes, I am. Earth and air surrounding yours truly started to rumble and tear. Let’s dance, sweetie. The sunlight darkened. We shall dance. Yes, the team is dancing with her, the pavement of the roads slamming under their thick shoes and the airplane roaring by in a smoky exhaust somewhere in the deep sky. Doo doo dum dee dum dee doo. Grinning over them shall be yours truly, Jack, and I shall be half-naked, dancing, my blister scarred feet striding and bounding and now kicking and bowing to the lady. Jack never stops, I say. I say that Jack will never die. I bow to the airplanes, trains, cars, trees, and step out of the way and afterward, throw back my head and laugh in a roar. He is a great one, that truly Jack. With a flick of my head, the sun-bleached mess of my hair passes glimmering under the flames in the sky and I leap about and jump onto the ash covered road and I gallop and make a lap (four hundred meters), two laps (eight hundred meters), dancing and running at once. Dum dee dum dee. My feet are light and swift. Jack never stops. I say that Jack will never die. I dance in blazing sunlight and in freezing torrent. He is a great one. He never stops, the truly Jack. I am dancing, running, dancing, running. I say that he will never die.
            She winks and I am dust.


[1] Within our team, there was a system of groups based on how fast we were. First was stud level (two people). Second was good (three [four?] people). Third was average (six people). Lastly, was below average (four people). 

Sunday, January 30, 2011

An Oldie

The short story below hasn't been edited. So don't get on my ass if a comma is out of place or something, geesh.

Snow

By Saw

            Within the sky, there were grey clouds where water vapors were gathering. It was well into wintertime, which suggests that those water vapors will eventually fall as white flakes of snow. Looking up, it seems as if the tension of the incoming snow is becoming unbearable. If the clouds could speak, it would be screaming I’M ABOUT TO BLOW MY LOAD OUT!
*
            Two girls walk among the frozen wasteland of their apartment parking complex. If they weren’t wrapped in layers of clothes, one wouldn’t notice that it was wintertime for it was bleak and grey within the parking lot year around. And Dull. Let’s not forgot that, for the girls are merely walking around within the harsh and dry wind for nothing. Yet, the girls drudged on, seeking for a source of amusement.
*
            Two bare women are kneeling on the carpet, gasping. Soon, they will be done for the day. All that is left is the snow. Waiting, they looked up as Cloud became tenser with each stroke. SOON, screamed Cloud, IT’S COMING!
*
            Finally, enough water vapors had built up. The load was far too heavy to remain within the sky and it must come down. With a gentle stream of breeze, white bits came floating down to the dreadful ground, snowing till the surface was completely covered and then the cloud would move on and dissolve.
*
            Snow covered the two shocked women. Much as children would do during snow, they caught the flakes within their mouth. They gasped. They moaned, as they waited for the snow to stop steaming down. Once Cloud has been exhausted, the women turned toward each other and leaned into each other
*
            Snowball. Building up, getting larger and larger as the two girls pushed it farther. Then, the girls left it and rolled another snowball, smaller than the previous one. And again. With a grunt, they sacked three snowballs on top of each other, with the largest on the bottom. With a furry of hands around the topmost ball, they gave the white ball a face. It was now a snowman with a goofy grin, gazing upon the giggling girls with its coal eyes.

Tuesday, January 11, 2011

Standing On My Head and Seeing Through My Two Eyes.

Face-vase
An update of sort on my progression in learning how to draw.

I am pleased to announce that it has been moving along nicely. Most of the work so far has been pencil and paper, so I can't exactly show it off. Nevertheless, I've drawn a few nice lookin' hand. Next up, I will be drawing the negative spaces around a chair to draw the chair. Interesting, huh. So far, I've noticed that the shift between my left and right brains is similar to the shift I go through when writing creatively. With that, I'm predicting that learning how to draw will actually help my writing.

I do have some stuff that I did digitally a while ago- nothing original but better than nothing, eh. Here it comes, with comments and shit.

This exercise (Face-vase) is supposed to cause a conflict between the right and left sides of your brain. First, you draw the profile on the left side. Then go over it, thinking about each parts- forehead, eyes, nose, upper lips, etc and what it really means. After that, try to draw the profile on right side. If you do it correctly, you should sorta seize up and become slightly confused. Betty Edwards says that it's because the verbal part (naming) and the drawing part causes a conflict between the right and left sides of your brain. I have no fucking clue if that's correct- there's one thing that was warned to me about this book, that there's pseudoscience within it. Because of that, I'm trying to stay neutral with scientific stuff within the book. 

Actually, it's a straw wrapper in this one.
This is a drawing of my palm, done in five minutes. Actually, the first couple that I did with pencil and paper was my palm. This one is of a straw wrapper. No, I didn't look at it when I was drawing it. The idea that Betty presented is that the left side of the brain doesn't like looking at the details. So, of course, staring intensely at my palm will make it give up and present the reins to the right side. I did notice a difference between the first minutes of drawing and the last minutes. A pleasureable sensation of looking at the details.
Ivan
This is a drawing done upside down. Betty says that looking at stuff allows me to draw as I see it, without thinking about what it is that I'm drawing. I am pleased to say that this was effective, although as you might notice, I ran out of room.

Betty Edwards provided with one reason that many of us are so shitty at drawing. That when we draw, we're actually drawing symbols of what we're trying to see. We see a tree, then draw a symbol of a tree without looking at the tree and drawing the tree itself. Same of the sun, birds, or whatever the fuck you try to draw. For this reason, she says, learning how to draw is actually the matter of learning how to see. Once you know how to see stuff, you will be able to draw something better than wavy lines for water and M's for birds flying across the sky. 
Landscape.

Sunday, January 02, 2011

The Book Binge: The Books in Question With Summary and Mini-Reviews.

This post shall be a record of Sawyer Willis' book binge that took place during Winter Break of '10/'11. The following titles will also have a brief summary and a quick review. If the title in question hasn't been read yet, the review shall go up before Spring '11 semester starts up again. Without further rambling, the following titles are (in order of purchase):


Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist, Will Eisner.
(Not yet completed.) A book that goes into techniques and theories used in comics. Part of a trilogy on cartooning by Will Eisner. 


The New Drawing on the Right Side of the Brain, Betty Edwards.
(In progress.) A drawing book recommended by many people. Many of the exercises in this book are used in art classes across the country. This book says that it doesn't teach the reader how to draw, but more rather, how to see. I am currently recording my thoughts and progress as I go through this book on this blog.


Percy Gloom is hungry.
Percy Gloom, Cathy Malkasian.
(Second reading required.) This graphic novel follows Percy Gloom as he seeks out his dream job. Plenty of pondering about death and existential stuff in this book. Because of the themes, this will require a second read through before I can give a review. Although, I can say that the artwork is excellent.


What It Is, Lynda Barry.
(Yet to arrive.) It's a graphic novel about creative writing, it seems. I got this book because of an excellent interview of Lynda Barry. 


What I Did., Jason.
This is a collection of three comics by Jason, Hey, Wait... , Sshhhh! , and The Iron Wagon. Jason uses simple and clean artwork to tell stories through anthropomorphic animals. This does not lessen the emotional impact of the stories, if anything, it makes it stronger. This follows Scott McCloud's theory from Understanding Comics: that we are able to relate to simpler images more than realistic images.
Hey, Wait...
The first one, Hey, Wait... follows two boys and something happens to one boy after the they form a Batman Fan Club. Sshhh! is slightly more confusing than the first story. Far as I can tell, it follows a bird-man through his life, and apparently, several deaths. The whole story is wordless, leaving the images to tell the story. Very effectively at that. The Iron Wagon is an adaption of a 1909 mystery novel. It's a mystery. I'm not gonna spoil it, however I feel that this is the weakest story of three. However, the first two were still good enough for me to purchase the next four books...


The Left Bank Gang, Jason.
(Yet to arrive.) The premise is that F. Scott Fitzgerald, Ernest Hemingway, James Joyce and other literary giants are living in Paris. And they are comic writers. The latter half of the book is of them robbing banks. Interesting, no?


Almost Silent, Jason.
(Yet to arrive.) A collection of four comics by Jason. You Can’t Get There From Here is about a "love triangle involving Frankenstein, Frankenstein’s Monster, and The Monster’s Bride" (Amazon). Tell Me Something seems to be about a love lost and found again, with plenty of flash backs. Meow, Baby! is a collection of short stories by Jason. The Living and the Dead is a deadpan take on zombies.
No explanation needed.


Low Moon, Jason.
(Yet to arrive.) A collection of five deadpan short stories.


I Killed Adolf Hitler, Jason.
(Yet to arrive.) A hitman from the future is hired to time travel in the past to kill Adolf Hitler. And of course, the plan gets fucked up.


Steppenwolf, Hermann Hesse.
(Not yet completed.) An existential novel. Something about a sick intellectual being unhappy and all that shit. 


Keep an eye on this space for reviews and more books (maybe)! Hooray for books and bibliophilism (erotic moan).

Monday, December 27, 2010

Pre-instruction Drawings

The first thing the book tells me is to draw three pre-instruction drawings. This is to provide me with something to compare with once I'm done with the book. The three things the book told me to draw are: self-portrait, somebody from memory, and my hand. Without further ados, here it is.

Self-portrait: 
I couldn't find a suitable mirror, so I made do with a picture. Probably not good as a mirror but eh. 

What I noticed when drawing this:
  • The hair looks decent.
  • I draw some freaky eyes.
  • I have no clue how to draw lips. Everytime I try, it turns out to be massive.
Which one is better: pencil or digital?
Digital by far. The pencil version looks like a fat butch lesbian. Not a flattering look for me.


Somebody from memory
A cookie to whoever can guess who this is. No, seriously, I will bake cookies for whoever guesses correctly who this is. Take as many guesses you want, and post it in the comments. And let me tell you, he's not Ned.

What I noticed when drawing this:
  • Holy fuck, it's hard to draw curly hairs. I'm glad I don't have curly hairs. I also don't like curly hairs as well, so there you go.
  • FREAKY EYES, MAN.
  • Still can't draw lips.
  • And noses, it seems. 
Which one is better: pencil or digital?
Well, the pencil version looks more closer, so it wins. However, the hair sucks massively. As in, I didn't even try.


Your hand:
Draw your own hand, it said. Ok, I said.


What I noticed when drawing this:
  • I draw some fat fingers.
  • And short thumb.
  • At least the pinky looks ok.
  • Man, those are some rough hands.
  • My hands are pretty small, goosh.
Which one is better: pencil or digital?
Digital. The pencil version is just a freaky hand with long fingers and a stump of a thumb. 




Overall experience: Well, this only shows how good I am at drawing. Not really. Also, I noticed that drawing with the tablet doesn't have a big learning curve to it. However, I still feel that I need to learn how to use the GIMP program. Such as the layering, how to erase large parts, and so on.

The Genesis of Teaching Self How to Draw.

Mother fucking Dragon Ball Z characters. Look at how badass they are. 

I've been meaning to learn how to draw ever since a friend of mine wowed me with his drawings of Dragon Ball Z characters in middle school. Since the art classes sucked, I tried to teach myself how to draw several times with the help of drawing tutorials from poorly designed websites. Each time I would tell myself, "Today's the day you'll start drawing everyday and keep it up!" and then I pictured myself drawing amazing shit at the ripe age of twenty because I kept drawing every single day for ten or so years. But I never did. I am currently twenty-one years old and I still can't draw an apple or a steaming pile of shit.

Each time I tried to draw, it was too apparent how shitty the drawings were. With the glaring flaws front of me, it would seem easy to fix those but in reality, it was a bit of bother to actually correct the errors and make it look better because it involved using an eraser that never erased everything, leaving behind grey smudges. Even then, most of the time, I would look at my drawing and tell myself, "Well, that and so-so looks off. How do I fix it?" I never got past that point because I was clueless in that regard.

A panel from Asterio Polyp. 

Well, that would be all fine and dandy with me if I never learned how to draw. Art wasn't, by any means, a large part of my life. Sure, I could go to the IMA and appreciate the art itself but I had no interest in making a piece of art. But lately, I've been on a bit of graphic novel streak going through Jimmy CorriganDaniel Clowes worksAsterio Polyp, Brian K. Vaughan works, Sandman, Asterio Polyp, Watchmen, and so on. And well, that got me interested in making some comics. At first, I thought I could go into the Neil Gaiman and Alan Moore route and merely only write comic scripts. However, after I worked with an artist, creating a comic adaption of Beowulf for a class, I realized how challenging it would be to convey what you're actually picturing onto paper and then have an artist draw that. Right away, I became worried how much detail I should write, if I'm cramping the artist's style, if the script is shitty and so on. It didn't help that the artist wasn't exactly interested in the project (No offense to the artist, eh). Maybe it would be different if both writer and artist were eager to create the comic, and it was something original. But, it wasn't the case. Nevertheless, this left a bit of sour taste in my mouth. Am I to create a graphic novel without a big voice over the art within the book? Looking at the great graphic novels I've read... Chris Ware's, Daniel Clowes, Asterio Polyp, and so on. All of them were a one-man team. Alan and Neil, they were great comic writers because of their freakishly detailed scripts, something that I have no interest in. I think.

From Scott McCloud's Understanding Comics

And so, this brings me to this point. I could either forget about making a buncha of comics (or create poorly drawn comics but that's not up my alley, yo) and stick with writing or learn how to draw. I've decided on the latter. Because, from my view, comics are the most effective medium of conveying stories in the printed media. A novel will be bogged down with words to describe what's going on and so on. This bores me. I have no interest in writing those mere details and thinking of new ways of describing how the grass is green or the sky is blue. The sky is blue. There. No need to pussyfoot around it and say it in ten, twelve different ways. In comics, you merely draw the sky. No need to draw it twelve different ways. Although, I'll admit that you might have to draw it twelve times. It is the images itself that carries the burden of describing. With that, the words are left free. Ok, I don't think this is making sense, so I'll probably go back to this part and add more or make a new post later on.

Ok, I'm gonna keep progress of my journey in learning how to draw. I will be following Betty Edwards' The New Drawing on the Right Side of the Brain.. Since I got a new tablet today, I am not exactly experienced with it. Same with the drawing program I will be using (GIMP for those who are curious). For that reason, there will be two versions to this: paper and pencil and digital. The drawings, or whatever it is that Betty will be having me do will be posted here. Since I'm not exactly interested in scanning the pencil and paper drawings, it will be digital only. However, if you want to laugh at me some more, you may seek me out and ask me, with a pretty cherry on top, to see my pencil and paper drawings I've made so far.

The initial drawings will be posted in the next post.

Thursday, December 16, 2010

#5

Chick

Massage the breasts,
With olive oil, thyme, garlic.
Smoothly, rub the legs,
Around the legs, below the legs, between the legs.
A dab of oil on the wings.
Flip over,
Massage the bottom, the back.

Slip a finger inside,
Oil makes it easier.
Two fingers,
Salt and pepper.
Three fingers,
Crushed cloves of garlic.
Whole fist,
Stuff it.

Gently onto its bed of
Carrots, garlic, onions.
Set the oven at 365 degrees,
Make sure that the breasts
Are facing upward
As that allows it to cook thoroughly.
Thrust it into the oven.

After a hour and ten minutes,
You will want to pull it out
Before it dries out
And becomes tough.

Overflowing with anticipation
As you might be,
You must wait
And gaze upon the sweating
Legs, breasts, wings.
To allow it to settle down
And breathe.

Wednesday, December 15, 2010

#4

No, I Don’t Read Lips

Blackening green island,
Grinning gasping oven squeaking,
Orange flaming walls.
It speaks to me.

Are you listening?

The house lighting up
A starry night with orange glow.
Twas a pleasure to burn.

It’s alright.

There was a black round screen.
And a mic.
With people scrambling
Around it.

Let’s go over there.

The gasping hole in his head.
Yapping, awkward and useless.
My pupil rolls, again and again.

Will, walk for me, please.

Brown bear,
Brown bear,
What do you see?
                I see…
                                Flashing of strobe lights.                              
                                                Black boxes with letters.
                                                                Hands.

Will?

Where am I?
                Among friendly people.
                                In a filthy prison, mute and deaf to the world.
                                                A respected patron of the Turkish noble court.
                                                                Nowhere, not even on the stage.

What are you doing?

Could be worse.
                Merde. C’est la vie.

#3

Sounds, What?

Ah, an awesome audio-based poem.
Whatever will I write about?
Grand guardian gazing worringly?
Despair of Death descending to gather?
Some sod’s soul going to the depth?
Maybe a mayor at the mercy of sopranos?
Nay, not those nils, something miraculous,
Better, bolder, beastly, that will nag
Readers, to remind, to remain within their brains.
Like how images of ladies lying bare lingers in retinas
Focusing upon those fine frames, lustfully.
Perchance, pretty poems aren't that fine.